Monday, March 10, 2014

Spring Tulips Pattern and Other Things

I have just published the new spring tulips pattern. What a fitting day! The sun is shining, the temperature has suddenly climbed into the mid 70s, newly returned birds are singing outside my window, and the official start of spring is precisely ten days away.




Oh, yes, I do know it won't stay like this. Tomorrow we're expecting a 30 degree drop in temperature and rain. But, these little hints at warmer weather to come are just enough to keep our faith in four seasons alive.

On to the pattern. I really like this one. It's so simple to make as it has no teeny-tiny pieces. The flowers are large and up front, tempting one to sniff the fragrance. Wonder if I should give the mug rugs a little spray of perfume. Hmm...

As I said, I really like this one. However, I thought I'd show you some of the issues I encountered along the way. I'm so far from being perfect, and I'm constantly messing up.

The first problem arose when I fused the first mug rug appliques down. Something just didn't seem right. In fact, I didn't like it a bit. I brought the piece upstairs and plopped it on the table in front of my husband. I didn't say a word. He looked at it for a long time, but he didn't say anything either.



"Well?" I asked. "What's wrong?"

"Mainly the colors," he answered. "The background is too dark, for one thing. And, what is the name of that ugly green?" Unusual for him to be so blunt, but he wasn't done. "Something else," he said, "but I don't know what.

Back to the drawing board. I liked the blossom on the left. The others were pretty strangely shaped. And the blue background not only showed through the yellow fabrics, but it changed the colors turning them from bright into murky. I redesigned, created pink tulips on a pale blue background, and fused yellow blossoms to a white background.

That was where my second problem arose. Those light yellow colors are simply too transparent, and there was one leaf that darkened a large area on the flower on the right.

Have you ever tried to remove a section of fabric that's been fused between to other fabrics? After the applique stitching was completed? Me neither. This was a first.


Oh, my! What a headache! I like to do things right, so these were really stuck down!

I was terrified that I'd cut all the way through the front.  Things didn't slide right back into place, but I knew the white batting would hide the mess on the back.

I don't recommend this tactic for anyone!! Next time, I'll trim off that offending little segment that wants to show through before I get out the iron.


Other Things

I did add "Other Things" to the title of this blog post, didn't I. The other things are some big changes coming to my house. See these two rooms? This is the "before" shot.


My goodness! That was an amazingly clean and organized day! I think I've seen it all looking like that - maybe twice. Maybe.

At any rate, I'll post an "after" in a couple of weeks.

Tee Hee!


Saturday, March 1, 2014

Quilt Along Block # 2 - The Watering Can

When the vote was counted there were exactly equal numbers of votes for each idea - watering can watering the plants or watering can resting on the ground. So, I had no choice but to make both of them.

I had a super time making this little block - both versions! And, truthfully, I don't know which I like better.

After seeing the house block photos from all of you, I decided that I like the blue background that some of you used. It has real potential as an alternative to the plain white I'd chosen for my quilt. So, off I went to the fabric stores - every store in town that carries fabrics, and we have at least seven! I didn't even limit myself to the quilt shops this time.

Would you believe that I couldn't find a single piece of blue that I wanted to buy?

I needed a particular kind of blue to go with my Civil War reproduction fabrics and my French General pieces. I thought that a quilt in bright colors on white would be lovely, but if I had the right blue I could use a few bits and pieces from my humungous stash of muted, old-fashioned, colors.

I finally found the perfect blue online at The Fat Quarter Shop. It's Riley Blake's Vintage Blue. Now, why does it look gray in this image when it's blue on my desktop?


 It looks absolutely lovely with my fabrics, but the color just isn't projecting well anywhere today. Wish you could see how pretty this is in real life.

At some point I need my other house block, but I'm not anywhere near ready for that right now. I'm determined to finish my yellow purse, so extra blocks will just have to wait.

Do, please, send me your photos as you finish  your blocks! Send to either my email address or my facebook page: klee2strings@gmail.com or  www.facebook.com/KLee2Strings

If you haven't already done so, hop up to the top of this blog and click on "Quilt Along Photos". Such great blocks are being sewn! I discovered that I used the word "love" over and over when I commented on your pictures.

That's two large blocks down and seven left to go. Here's another look at our plan. The house is in the big middle block and the watering can will go in any one of the 10" squares.


Now, onward to Block 3. Indoors or outdoors for this one?  Take a look at our list so far.

What do you think? I can wait a few days for ideas for the next block, but then I'll need to start planning.

needle, thread, etc.
yarn and knitting needles
kitten
puppy
rocking chair
fireplace
plate and silverware
teapot or coffee pot
cookie jar and cookies
clothesline
mixer
birdhouse
potted plant
sewing machine
bird nest
tricycle
baby crib
popsicle
lawnmower





Wednesday, February 19, 2014

And so it begins ... First Finished House Block Photo and a Question

The first photo of a finished house block for the Quilt Along has been posted! 

Click on "Quilt Along Photos" page heading at the top of my blog page to see the photos and to learn where to submit your photos for posting. I can't wait to see what everyone has done!

Thank you, Joyce! Super fabric choices!




The Big Question of the day

Once again, I'm asking for your input in creating Block 2 for our quilt along. This conversation has already begun on my Facebook page and responses have been coming in.

I've made two preliminary sketches of possible arrangements for this block, and I'd like to have your opinions. You can comment here, on my facebook page ( www.facebook.com/KLee2Strings ), or in an email ( klee2strings@gmail.com ).

The basic arrangement will be revised, I'm sure, and the details will definitely be altered.

I'd like you to look at these elements:

  • Positioning of the watering can. Sitting on the ground vs. tipped.
  • Adding a butterfly. Yes or no.
  • Balance and artistic merit. 
  • Anything else you'd like to say.


Sketch 1



Sketch 2

As I said, many changes will have to be made. I need to create a block that is interesting, balanced, artistic, and fairly easy to put together and sew. 

Please chime in!





Saturday, February 15, 2014

Machine Applique with a Blanket Stitch - Tutorial

One of my very close friends happens to be an amazing quilter. In fact, she was my first quilting teacher. She is also the friend who makes me terribly envious of her skill with a needle. Her hand quilting, hand applique, and hand stitching of any kind are the best I've ever seen.

However, this same friend is just learning free-motion quilting on a sewing machine and how to applique with fusible web. The other night when my sewing friends over, she had brought a Valentine's Day table runner to share. We always have a bit of "show and tell". She had appliqued the hearts with raw edge straight stitching. The runner was lovely, but she would have preferred a blanket stitch. She asked me what the secret was to going around an applique with a machine blanket stitch. She says that her blanket stitch doesn't look good at all, especially on corners like the point at the bottom of a heart and the "v" point in the center of the top of a heart.

Time for a tutorial. There may be others out there in Quilt-land who have the same issues.

How the Machine Blanket Stitch is Made

First of all, let's take a look at how the stitch is made. There are five motions of the needle for each single stitch forward. These are the steps:

Five steps on paper and in reality. 

It reminds me of a five count dance step. Forward, back, forward, left, right. One, two three, four, five. Repeat... When I'm applying this stitch I am very aware of which step I'm on at all times. 

I would definitely recommend memorizing the steps. Do a bit of practice stitching - very slowly, and count on each step until you are thoroughly familiar with the rhythm and the count.

Now on to stitching a heart. The corners are the tricks. I'm working on one of my "Patched With Love" mug rugs for this. 

First: Set your stitch width and length.  I like narrow and short for this kind of applique. On my machine the width is set at 2.5 and the length is 2.2.


Second: Insert the needle, pull up the bobbin thread, and begin stitching. The first stitch will be a forward stitch - number one in our dance step count.


As long as you are sewing on a straight line, the main thing you need to do is keep that outside trio of stitches (numbers one, two, and three) right up against the edge of your applique. 

I always sew applique stitches very slowly so I can be precise. Rushed stitches don't often turn out well.

This is what your row of stitching will look like from the back.


Outer Corner Turns

Here we are at the corner at the bottom of the heart. 

Stop on step three of the dance step with the needle down. In fact, almost every time you want to turn your applique you will need to stop on this step. 

Number three - the bottom of the last forward stitch before going left and right is your stopping point!   



Now, pivot the fabric.


This turn should line up your row of stitching with the edge of the applique.

Next come steps four and five. Left, right.




Then back to the five count and straight ahead.

The point at the bottom of the heart will be neatly and securely boxed in.


Looks beautiful, doesn't it?

Onward and forward. One, two, three, left, right ...

As you go around the curve at the widest portion of the heart you'll need to adjust your stitching. More on that later.

Inner Corner Turns 

Here we are approaching the next tricky corner turn. 


Stop with your needle down after the count of - three! 

And pivot the fabric. 

I lined this up so that the next two stitches, left then right, will go straight into the center of that inner "v". 

Left, right, needle down, (4, 5) and pivot the fabric again. This is one of the rare moments when you pivot after the count of five.  When the presser foot and direction of your stitching are lined up with the edge of the applique, continue stitching.


 Once again, it looks perfect!

Continue on around to the beginning, backstitch, and snip the thread. The blanket stitching around the heart is finished. 




Going Around Curves - Inner and Outer

Large, softly rounded curves aren't too difficult, but those tighter curves are the ones that can cause problems. 

You expect your blanket stitch to look smooth just like it does when you sew along in a straight line. But instead, you wind up with something that looks more like this.



Hmm...  Not exactly what you had in mind.

Why?

The most common mistake is due to stitching too fast and simply turning the fabric as a person would if they were stitching a straight line of stitching. A blanket stitch must be handled differently.

Slow down!

Remember those five steps in the blanket stitch dance? This is just like dancing. If you aren't aware of which step you're on, you wind up stumbling and tripping up your partner.

But why does the stitching look less than wonderful? 

The answer goes back to those five steps in the blanket stitch dance.

Stop and Pivot.

Pay attention to the step count. When turning a curve, either an inner or an outer curve, you must stop with the needle down at the end of the third step, lift the presser foot, and pivot the fabric just enough to line everything up again. 

Here you see what happens if you forget to stop and pivot on the right step.



If you pivot now to get back on track the forward stitch you just made will dangle out there beside the edge of the applique. If you just try to turn back in you'll have some uneven stitching that isn't tight against the edge for a few stitches.

The time to stop and pivot on either an inner curve or an outer curve, is at the end of step three. This is the step just before the left, right combination that goes in and over the applique.

A sketch might help you see what happens with the pivot and turn on step three.

Outside Curve                          Inside Curve

Each individual motion of the needle can't help but go in a straight line. In order to sew around the curve, constant little corrections in direction need to be made.The tighter the curve, the more frequently you will need to correct the direction if you want a lovely, smooth curve. Do you see how steps 4 and 5, the left, right combination of steps, are perpendicular to the 1, 2, 3,  or forward, back, forward steps but not quite parallel with each other? On the outside curve the left, right steps are closer to each other at their farthest left. On the inside curve the left, right steps are separated more at their farthest left.



If you have any questions or any ideas for a future tutorial, please tell me in a comment to this blog post, on my facebook page, or in an email.

Happy stitching, everyone!!

And I have some mug rugs to finish. 

Ooh! Love!






Tuesday, February 11, 2014

My New Yellow Purse, Day 3

It' been a busy, busy day at my house. I devoted part of the morning to sewing, but the rest of the day has filled rapidly.

You may not be aware, but gremlins have moved into my house. Very strange things are happening. Two weeks ago I changed the bobbin in my sewing machine. Sounds simple doesn't it? Remove the plastic bobbin cover, remove empty bobbin, drop in new bobbin, replace cover. Simple as pie.

This time, though, I couldn't replace the bobbin cover. It had vanished! Seriously! Just vanished! I searched everywhere - over, under, inside everything. I even dumped my trash can onto the floor and went through it carefully. No bobbin cover. I was sure it would turn up in a day or two, but no such luck.

I finally gave up yesterday and called the shop to order a new one. The paper and scotch tape solution was getting old.

This morning they called me back. They had found one in the back and had it waiting for me! Well, that was a pretty urgent trip, so off I went. 

While I was out I made a stop at the quilt shop a few door down to look at new fabrics. Lots of pretty things, but I was strong! Wonder Karen, no less. I walked away with nothing new! How often does that happen? (Patting myself on the back here.)

Another stop, this time for groceries, then home to bake blueberry muffins to serve to my sewing group ladies who are coming by this evening. I took eight of the muffins straight from the oven and ran them to the neighbors who, once again, had scooped yesterday's light snowfall from my sidewalk. Love these neighbors and their darling little girls!!

Then, down to my sewing room to give it a quick cleanup. One of the gals coming tonight is a true sewing novice and just learning to sew. She's making a t-shirt quilt for her son, and I'm pretty sure she's planning to work on it. Most of the ladies bring handwork, and we'll just all gather and have our giggles and gossip in the sewing room with the whirr of a sewing machine lending a musical background.

Oh! The new bobbin cover! What a welcome change! It's in place, but it's clear, so hard to see in the photo. The gremlins must have found the shiny, clear plastic quite desirable. Not that I really know that much about gremlins. Maybe they just enjoy playing pranks. 



Now that my bobbin has a cover, my wedding band has disappeared! I took it off in the bathroom to put lotion on my hands. I forgot to put it back on right away and now I can't find it. It will likely show up in a drawer or some other odd place in day or two. These gremlins are making me crazy!

I'm sure that in spite of their mischief making, my gremlins are really cute little guys. They probably look a lot like this. :)


On to the sewing.

I had only two hours this morning to work on my purse. By the way, I decided not to worry about the ridge under the piping. So much of it is covered anyway that it won't be obvious at all.

Today I only finished the pockets. It was actually much more work than I'd anticipated, but it's my first time at making pockets with quilted flaps. I've made lots of quilted pockets and tons of pockets with flaps, but quilted flaps are new and more complicated than I'd thought. Sometimes it's a learn as you go process.  I know for sure that I need to come up with a better method.

Oops! Door bell is ringing. I'll need to tell you about the pockets tomorrow!

Have a super evening, everyone!

Monday, February 10, 2014

My New Yellow Purse: Day 2

It's after 3:00 PM - time to put the sewing aside for today. I worked for two hours before lunch and another two hours after lunch - not a bad sewing day at all. My days are too busy with other things to devote more than a few hours to sewing.

(Shhh... this is a secret - just between us! I also tire out from the intensity of focus much sooner that I used to do, but we don't talk about that.)

A change of plans.
The day's sewing began with the realization that my plan to attach pockets between seams just wasn't going to work. The seams become way too thick and lumpy! So I put the pockets aside for later when I will need them, and I went to work on the body of the bag.

First, I cut two pieces of the yellow print 8 1/2" x 17" and two pieces of the gray fabric 6 1/2" x 17". The yellow makes the main body of the purse, and I'm using the gray for the base. I hope the gray won't show the dirt quite as much as the yellow might have if it were on the bottom of the purse.

Everything that follows about the body of the bag was done twice. Once, for the front section of the bag, and once for the back.

Now comes the fun part - attaching my lovely piping between these colors. First, I sewed the piping to the yellow fabric, lining up the seam edges like I did with the pockets yesterday.


Then, I sewed the placed the gray and the yellow right sides together sandwiching the piping between them. I lined up the seams and stitched from the yellow side right on the same line of stitching that secures the piping. I pressed the seam towards the gray.  


Time to quilt! I used a fairly lightweight cotton batting for the pockets, but I chose Stiff Stuff batting for the bag, itself. It holds it's shape beautifully.

Quilting! The same treatment on the yellow that was used on the pockets, but vertical lines 3/4" apart on the gray to give an interesting textural contrast. I drew the lines onto the fabric first.


Then I stitched. Up one line, across in the ditch between piping and gray, down the next line, across the bottom - one continuous line of stitching. It shows best on the back.



Now, I trimmed everything even and squared it up. The gray measures exactly 4 1/2" from the piping seam to the bottom, and the yellow is precisely 7, from the piping seam to the top. That makes a total height of 11 1/2". The width of each piece side is 16". This is what the two pieces of the bag look like after trimming.

Yikes!


Look how those four layers of seams show up on the gray! 

That ridge is even more noticeable in the photo! I wonder how I can make it less obvious.  Maybe I should have quilted the pieces first, then sewn them together. I was trying to avoid a getting seams too thick for sewing together. Hmm...
And on to pockets.

Step one, pocket flap.

First thing I did was to add the "male" part of a small magnetic snap to each of the pockets. A picture is worth a thousand words, they say, so I'll just let these pictures do the talking. 









The short rows of stitches above and below the snap go through the quilted front.
Those few stitches really add to the snaps stability.

Next, I made a quick row of zigzag stitching along the raw edge of the flap. 


You can see how I measured and marked the location for the pocket flaps. Everything had to be centered and made level.


Finally I trimmed the bottoms of the flaps evenly and finished them by sewing to the bag with a tight zigzag stitch.


And that was it for today! 

More to come tomorrow.