Some of the earliest quilts
in the American tradition were made with beautiful hand stitched applique such
as seen in this amazing Baltimore Album quilt from around 1845.
I love
the smooth perfection of hand applique. When done well, it's simply gorgeous.
If done poorly, though, it looks pretty awful. Unfortunately, my hand applique
skills fall in the second category. Downright horrid! Sigh...
I don't have the patience this lovely work requires and I don't have the skill.
But, all is not lost! There is another way to add applique to quilts. It's fast and looks quite acceptable!
Fusible web to the rescue!!
I don't have the patience this lovely work requires and I don't have the skill.
But, all is not lost! There is another way to add applique to quilts. It's fast and looks quite acceptable!
Fusible web to the rescue!!
I ADORE fusible web. I use
it on all of my mug rugs and many other quilts, as well. Here are a few of the
tricks I've learned and some the products I've used with success. I hope you find
these little ideas useful.
1. Buy the right fusible
web.
There are so many kinds of
fusible web on the market that a person can easily become confused. For quilts
you definitely want the lightest weight, stitchable, paper backed, web you can
find. This isn't the only good product out there, but I've had excellent luck
with Pellon Wonder Under 805.
2. When cutting the web
out, leave some space around the template tracing.
When the fusible web is
ironed onto the wrong side of your applique fabric, this space1/4" or so
around the tracing makes it so much easier to cut the web and the fabric
together on the template lines. Doing it in one step is so much neater as
well.
3. Protect you iron and
ironing board cover.
Your iron works beautifully
on the paper side of the fusible web, but should it accidentally touch the
other side, you will have a messy, gummed up iron.
I often lay a piece of scratch paper on top of the before I iron
the web onto the fabric. In this photo I just grabbed a handy
Kleenex tissue.
Any edges of the fusing that may peek out will attach to the paper instead of the iron. I also lay a piece of an old sheet over my ironing board cover whenever I work with the web.
Any edges of the fusing that may peek out will attach to the paper instead of the iron. I also lay a piece of an old sheet over my ironing board cover whenever I work with the web.
4. Remove the paper backing
from the fusible web easily.
Don't waste long minutes trying to pry a fingernail between under the paper to pull it away from the applique piece so you can fuse it to the background fabric. Grab a pin. Score the paper and pull it off. Slick, isn't it?
Don't waste long minutes trying to pry a fingernail between under the paper to pull it away from the applique piece so you can fuse it to the background fabric. Grab a pin. Score the paper and pull it off. Slick, isn't it?
5. Use a stabilizer when stitching around applique pieces.
Sometimes, especially with small piece that are being appliqued, the zigzag stitching will pull and cause the background fabric to pucker. A stabilizer placed on the wrong side of the background fabric will prevent that from happening. There are many stabilizers available. They come on rolls and in precut packs. Some are water soluble, others are tear away. Choose whichever is most comfortable for you. Because I'm making so many applique projects, I buy my stabilizer on a roll.
Sometimes, especially with small piece that are being appliqued, the zigzag stitching will pull and cause the background fabric to pucker. A stabilizer placed on the wrong side of the background fabric will prevent that from happening. There are many stabilizers available. They come on rolls and in precut packs. Some are water soluble, others are tear away. Choose whichever is most comfortable for you. Because I'm making so many applique projects, I buy my stabilizer on a roll.
6. Choose the best thread
for your applique .
Thread comes in a variety
of weights designated by a number. These weights become thicker as numbers
decrease and thinner as numbers increase.
50 weight thread is the
standard all purpose sewing thread. This thread works fine for almost any
sewing project, including machine applique. Special threads will have a
different look and texture, but you really don't have to use them.
A 60 weight thread will be
finer than the standard weight. This is the one I prefer to use for most of my
machine applique. It doesn't feel bulky and thick in the very close zigzag
stitching and in a color that matches the fabric it blends so well that it
doesn't stand out. I like to use a polyester such as Sulky's Polylite because
it is strong and has such a nice sheen.
A 40 weight thread is a bit
thicker than standard thread. It's lovely when you want the stitching to stand
out. I used 40 weight black thread on my Elephant Walk baby bib. This blanket
stitch looks more like hand stitching than it would have if stitched with a
lighter weight thread.
7. When marking your
fabric, use a good, removable fabric marker.
I have used chalk, air
erase markers, and water soluble markers. Each of them has been fine for
specific purposes. Recently, though, I happened across the marker than has
become my favorite.
Marks made by this Frixion
marker by Pilot will last as long as you need them, and, and they erase with
the heat of an iron. Honestly, when you want you marks to disappear just press
a hot iron over them and they'll be gone! Do test it first, though. I've never
had a problem, but I've heard that the ink leaves a pale mark on some darker
fabrics. The markers come in 8 colors, but I really rely most on standard black.
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